Mylady
Lady Shakespeare oder Die Frau aus Stratford
africologne (5) Marie Yan writes about the first festival day Opening
A translators’ diary by Annette Bühler-Dietrich and George Bwanika Seremba Translating the Mad Poet
africologne (3): A history of Kagayi Ngobi’s poem «For my negativity» «Nothing has changed that much»
africologne (11): DIALOGFORUM (part 2) Repairing, re-humanising (part 2 of 2)
africologne (13): Marie Yan’s last report “Caged in old visions”
Erzuli Dahomey, Göttin der Liebe
Yasmine Salimi über „Four Walls and a Roof“ von Lina Majdalanie und Rabih Mroué Der Raum zwischen den Grenzen des Denkens
africologne (7): day 3 of the festival: the DIALOGFORUM Repairing, re-humanising (part 1 of 2)
africologne (8): Mary Yan’s critical gaze on day 4 of the festival EYE LAND: THE FUTURE IS LOOKING FOR US
SPUREN (5): A conversation with Ugandan poet and performer Kagayi Ngobi about his text “For My Negativity” A tool to speak truth to power
Fanny Bouquet über die Rencontres Internationales des Festival TransAmériques in Montreal Ein Labor zur Gruppenbildung